Description
One of a long-runing series where the artist ‘revisits’ Giverny and the waterlily paintings of Claude Monet, an inspirational ‘father’ for Wayne Sleeth. Here there is a double reading, from a distance a certain fidelity to the feeling of the ‘Nymphéas’ creations by the impressionist, but in close-up the surface teems with scribbles, scratching, and dripping paint. The canvas is stretched on a deep-frame chassis with clear white edges, the work comes ready-to-hang.
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